Posts Tagged ‘RIP’

Free screening: RiP: A Remix Manifesto

Tuesday, April 21st, 2009

“Mashing Up Copyright” – a screening of the new NFB film RiP: A Remix Manifesto and a discussion. Presented by the NY Film and Video Council.

WHEN: Friday May 1st; 6:30 pm

WHERE: The Cooper Union’s Wollman Auditorium, 51 Astor Place.

RSVP: 212-330-0450. The event is free.

RiP, Snag, Friends, and Followers: Quick Hits

Tuesday, March 31st, 2009

Some recent news of note:

RiP: A Remix Manifesto premiered at SXSW and has been ‘picked up’ in the US by B-Side, whose DIY model will presumably avert some of the bigger copyright issues that might be a problem for regular distributors.

Snag! Films has made a deal with Hulu to place films on that site. This begs the question for filmmakers of whether, when they license their film to one online market, they are permitting that company to resell their film elsewhere (presumably cutting into whatever revenue there might be). It’s probably a good idea in general to look at contracts closely to see if this is the case- and to be clear about who you want to sell to and who you want as a representative.

guru Scott Kirsner’s new book “Fans, Friends, & Followers” streets today- and is available both in physical and virtual versions. I hope to have more to say once I’ve had a chance to read it, but as Scott asks for examples of business models that work in the online realm, I’ll just say that in terms of the selling of art and fundamental things that make it successful no matter what realm we’re in, I think that having people at the core who are both true fans of the work AND good businesspeople/entrepreneurs is the most important aspect. The how seems like it will follow naturally after that.

RiP: A Remix Manifesto in the tradition of mainfestos past

Sunday, December 14th, 2008

I recently got a chance to check out RiP: A REMIX MANIFESTO, the Canadian documentary that takes a look at copyright (and the mashup artist Girl Talk) in a kind of method way- the producers, EYESTEELFILM, and director, Brett Gaylor decided that since the costs of licensing all the expensive music in the film would be prohibitive, and since the film was about these costs, it would essentially be fair use to go ahead and use whatever they wanted (including network footage, usually very expensive) and just see what happens.

It’s a pretty interesting concept, and though the film does paint the issue in overly black and white terms (the CopyRIGHT vs. the Copy LEFT), by the end, Gaylor has raised some interesting issues about the state of copyright, though I’m not sure many of them are answered. Hope to have a discussion with one of the producers which will be here soon.

It’s definitely worth seeing especially if you enjoy the Girl Talk phenomenon- I met him a few weeks ago at a show and was impressed- he’s totally into giving a great performance- which is all the more remarkable given that his performance is pushing some buttons. And, in keeping with the mashup philosophy, if you don’t like the film (or especially if you do) you can make your own version at OpenSourceCinema.